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While recent models have been relatively minor upgrades, the FZ n2x to its roots by featuring a lens with an F2. In combination with nnikon newly-developed 12MP MOS sensor, this makes the FZ, at least on paper, by far the best choice in nikon capture nx2 manual pdf free superzoom segment for low light shooting.

That large aperture allows it to offer faster shutter speeds at the same ISO settings as its peers, or use lower sensitivities at the same shutter speeds as the nikln.

While the Leica-badged lens is definitely the number one head-turner on the FZ’s spec-sheet, the remainder reads very well too. As usual you can frame and review your images on either on the rear LCD or the electronic viewfinder. The latter is a new 0. The ‘equivalent’ part of this statement stems from its ‘field-sequential’ design – instead of having больше на странице of dots showing red, green and blue at all positions, it displays one color, then the next, at each position.

The downside of this approach can be that if you move your eye quickly, or blink, you become aware of delays between the three colors being drawn – with colorful, rainbow-like edges appearing.

Thankfully majual display runs at 60hz, so this effect isn’t too noticeable. The differences between the last-generation FZ and FZ are mostly cosmetic.

The grips are slightly different, and the flash doesn’t pop-up as far on nikon capture nx2 manual pdf free FZ hello, redeye. The microphone has been moved closer to the hot shoe on the FZ, and the power switch as been integrated with the mode dial.

This allowed Panasonic to add a new customizable Fn3 nikom next nioon the burst mode button. Other improvements compared to the FZ include an HDR feature plus more special effectsin-camera panorama stitching, and high speed movie recording. As you can see, the DMC-FZ has some nice improvements over its predecessor, with the new lens and improved battery life being the biggest differences. Despite being one of the most expensive super zooms on the market, the FZ’s bundle is rather pedestrian.

Here’s what you’ll find when you open the box:. Therefore, you’ll want to buy a memory card right away. A high speed Class 6 or faster card is highly recommended for best camera performance.

They include:. That’s an enormous list for a fixed lens camera! One thing’s for sure: Panasonic definitely has all its bases covered. Panasonic includes PhotoFunStudio capturee. This Windows-only software handles basic nikon capture nx2 manual pdf free fairly well, though the whole nikon capture nx2 manual pdf free system gets tiring quickly. On the main screen you’ll see the usual thumbnail view, and you can view photos by folders, date, or by things as specific as scene mode.

The ca;ture can learn to recognize faces much like the camera itselfwhich offers you another way to browse through your pictures.

Available editing features give you the ability mnaual crop, rotate, or change the aspect ratio of your photos, as well as adjusting color, brightness, saturation, and more. You can apply special effects to capthre, overlay text, or remove redeye.

PhotoFunStudio can also be used to create panoramic images that you’ve taken on the camera. SilkyPix isn’t going to win any awards for its user interface or poorly translated menus, but it’s still a very capable editing tool. If you’d like to use Photoshop instead, just niko sure that you’re using the latest version of the Camera Manuall plug-in.

PhotoFunStudio allows you to work with the movies produced by the FZ You can edit your video and then burn the results to a Blu-ray or DVD disc. You can also save the edited movie in MPEG-2 format. The FZ’s documentation is split up into two parts, which I’m never a fan of. Inside the box is a nikon capture nx2 manual pdf free “basic manual” to get you up and running.

The manuals aren’t exactly user-friendly, either, though they should answer any question you’ll have nikon capture nx2 manual pdf free the camera. Instructions for using the bundled software is installed onto your Mac or PC.

A version of this review was first published at www. I inherited this camera, looks to either have been used once or captture, inside a padded camera case with battery charger and USB Trying to find jx2 how much it is worth for resale, anyone have an ns2 about pricing? Take a look nikon capture nx2 manual pdf free the manual for the settings menus ;df [Quality]. This is a camera with a lot of features, so unless you are going to just leave it in the automatic mode, it’s worth the trouble to read through the manual as there are some pretty incredible features manula into this incredible camera.

I used this camera to shoot a wedding for a friend. I found it to be very reliable and used a setting f2. Couldn’t use it outdoors because of poor weather. Maybe it was me as I am not jikon to TTL flash. Apart from that it’s a great camera in all respects. Not sure whether I should upgrade to the new FZ or not.

Today, this awesome camera is a caoture, as low as USD, online. I am considering this camera to take on international trips for F1 races. Love the camera, hate the weight, also the space it takes up in my carry on. Does anyone have any experience with this camera for sports photography?

I love the shots I have gotten with the Canon rig, but the weight and size jx2 an issue. I use this for sports it works really well, you get a large dof and fast burst. Doesn’t come close to a good SLR, you’d be much better off to stick with the Mqnual. The FZ is useless if you’re any kind of serious sports photographer, I had one for about six months and got rid of it Hello DPR. I am new here. I have noticed in the specs section, the sensor resolution and Type are mentioned, but mostly, the size is not mentioned.

I have to hunt for nikon capture nx2 manual pdf free, often on other sites. Should it not be included in the specs. To the general viewer, the nikon capture nx2 manual pdf free is probably more important than the type, which I presume is nikon capture nx2 manual pdf free useful to those technically savvy.

I am a very serious amateur photographer. From my perspective the FZ is an incredible camera for what it is. When I want the best pictures I njkon nikon capture nx2 manual pdf free DSLR, but there are many occasions when I don’t want to carry a heavy camera with a lens attached. The FZ takes very good pictures and has an incredible range of options. The number of options is a positive for me. However, remember you can always reset the camera to the factory defaults if something gets set wrong and nikon capture nx2 manual pdf free don’t продолжение здесь what it is.

Also using the intelligent auto IA setting on the mode dial should help those less familiar with photography. Finally, those who don’t know much about photography should use JPEGs instead of RAW, it’s easier and can still produce amazing results. For those who feel this camera isn’t good enough the FZ is out. Albeit the small sensor, constant F2. And today you can get it FZ at a bargain price online.

Love it because it is light, has a decent Leica badged lens and zooms out to mm for those wildlife shots.

Takes decent videos too. The bad features are many: cumbersome and slow menu driven settings, often slow focusing, needing to refocus on some other object with more contrast, poor online manual with some features mentioned e. Noise levels are objectionable above ISO at full resolution when seen on a screen. It’s OK for snapshots and for those who do not want to carry large DSLRs with multiple nikon capture nx2 manual pdf free, especially while on travel.

After two weeks and watching the FZ utube videos by Graham Houghton I have come to the following conclusion. I really like this camera find the image quality great The images that after two weeks have surprised me in their clarity. I sold a Manuap to buy this and on my part feel very good about my decision.

There was nothing wroung per say with the images from fred SX50 but it felt like a plastic toy that wasn’t going to last. I would buy this camera again. As mentioned in the comments watch dree videos on utube.

Увидеть больше are well done and answer questions that makes your images totally sharp. Anybody encounter a strange phenomenon where camera goes to portrait when put in aperture or shutter priority, and then won’t get to more than 3 M and no RAW? Also tells caoture to put the flash on.

I need it for an upcoming trip cqpture am thrown for a loop by this. This was just основываясь на этих данных of many problems I had when I owned one for six months, judging by some of the comments here it’s strictly for amateurs who cannot be too serious about their photography.

This is a confusing collection of remarks! Caoture users seem to either love it or despise it, really polar opposites. It’s almost as if the discussion is about two different cameras. This is actually for my year-old to take on an upcoming trip overseas. Not much time to teach her the nuances hx2 photography, nikon capture nx2 manual pdf free hopefully this will capture sufficient IQ in Auto to make her efforts worthwhile.

Can I suggest that anyone fee has operating difficulty with this camera visits Graham Houghton on Youtube where fere posts a comprehensive array of video tutorials specifically dedicated to all aspects of the Word pc 2019 free microsoft FZ View these and your enjoyment of the camera will be greatly enhanced.

Appreciate nikon capture nx2 manual pdf free review. I wish more attention was given to this class maunal camera.

 
 

Nikon | Download center | Capture NX 2

 

True breakthrough products are rare in consumer electronics and perhaps even more rare in the digital camera space. The Sony Cyber-shot RX was one of those rare products that caught the attention of casual photographers, enthusiasts and critics alike. Unassuming to the eye, it succeeded in pulling off an impressive trick – delivering excellent image quality from a truly pocketable camera.

Meanwhile, the camera’s enthusiast appeal is bolstered by the addition of a Multi-Interface hot shoe, allowing use of external flashguns or, significantly, accessories such as an electronic viewfinder. The rear screen also now tilts up and down, which makes the RX II more flexible to use and more at ease in bright light. Impressively, Sony achieved this while adding just 2mm to the camera’s depth – so it retains its pocketable prowess.

The RX was well received by consumers, and when we reviewed it last year it earned a Silver Award mainly in response to user interface concerns. It wasn’t just another enthusiast compact camera, it was truly a stunning piece of engineering. If a tilting screen and the ability to use accessories aren’t deal-makers, does the image quality justify its expense? Read our full analysis.

If you’re new to digital photography you may wish to read the Digital Photography Glossary before diving into this article it may help you understand some of the terms used. Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger typically VGA image in a new window.

We recommend to make the most of this review you should be able to see the difference at least between X,Y and Z and ideally A,B and C. This article is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author. Few cameras in this class hold their price as well RXs do, I saw a beat up original RX seller still wanted nearly U.

S for it. If they ever make a weather proof one they will have achieved the perfect travel camera. In many countries today it is hard to travel with lots of equipment and clear customs.

Some third world countries greatly restrict recording devices Cuba comes to mind. Same image quality and same portable as possible Someone Pleae help me. I am very confused. I’m only interested in low light image quality. Some even saying that MK1 is better than MK2. Can someone please please help me make the decision. Check the studio tool to get your own opinion. I dont think it will be a huge difference. If there is any difference you will have to check at pixel level. No way you will earn a stop.

What it’s not good at in rxmk 1 it will not be good at rx mk2. To earn low light, go to a bigger sensor Panasonic gf7? I’ve had it 1 month now, and this camera is my introduction back, after many a year hiatus , when I shot with a Pentax spotmatic II screw on lenses.

Love the camera suits my needs, fits in my pocket, takes great pictures. I recently discovered that my RX II clock runs fast, it gains a whole minute per month! This is a huge problem for me especially before I discovered it because I geocode my pictures after the fact by means of GPX files from my GPS – everything hinges on the camera being set to the right time – and keeping accurate time.

I am desperately wondering if any body has faced the problem of random photos being read as “unsupported image format” on the computer? They are also blacked out on the camera too. I followed any advice on deleting all photos on camera and formatting the card, but it happened again.

This malign problem has ruined at least half of my photos. The worst part is that you don’t know which files will be like this or will luckily be saved as a healthy one.

Please give any tip that would address this headache. Make sure you are not shooting in the RAW mode. If you are, you will be unable to open the pictures, unless you have the software to match. This is probably a question that is opposite of most people. Everytime I shoot a macro potrait photo , the background is blurred. How do I unblur the background? What sort of setting can I use? I like the background defocus for extreme close-up shots, but sometimes i want the background to show up to.

Please let me know how to change the settings? Hi, did you try to different aperture setings? I owed one. It intermittently vibrates and makes a buzzing noise when turned on.

A search on the internet suggests that this is a problem for many Sony cameras, not just the rx II. Got mine brand new for a really nice price as shops are getting rid of the ‘old’ stock. How many times did the review mention “shooting experience”-? It made me giggle.

Personally, I get my kicks from the stuff I see uploaded on the screen. Well, to each and every one of the reasons for choosing a camera are personal. I was looking for something pocketable to produce ‘acceptable’ picture quality.

On the negative side: The box had a very cheap feel to it and the manual is of no help at all. Money well spent. An extra battery and an external charger are still on my shopping list and a protective case. If this thing lasts in outdoors use is a question to be answered. Then again, I can buy a new one for the price of repairing a Canon L lens It’s appropriate for a review to mention something like the clicks, or lack of them, with the wheel.

That’s a design decision Sony made, to do with video use partly, that you can feel one way or another about. I see that. RX II owners have lots of opinions about how to use the 7 Fn slots, where to put the Drive modes, and so on. If you’ve spent time with a camera you develop a sense of how it really works in those ways. This particular review, telling us the back command wheel is “slightly under-used,” what? The shoddy manual is a much more legitimate criticism.

None of the Sony manuals come close to the third-party books out there. They phoned that in, and they should be called on that.

The lack of an intervelometer, or of solid support for PlayMemories, are substantial points. Reviews miss that stuff about this camera, and obsess on the ring. I appreciate your comments, WRSIan. A note on the poor manual that comes in the box; forget the paper guide and download the PDF manual from Sony. It’s free and very good, as owner’s manuals go.

I am on the point of buying one of these cameras but need a wireless remote control not smartphone based! To my abject amazement nobody makes one that is compatible with new sony multi connector! Can anybody correct me on this? I hope that I am wrong.. You might want to ask the TriggerTrap people.

They’ve only just come out with the Rx II compatible version of their product, and while it’s mainly driven off a smart phone dongle, the whole thing is pretty extensible. You can use TriggerTrap with hackable arduino kit, for example, to have your robot take pictures. The TriggerTrap Ada product they’re about to come out with seems like a physical trigger of some kind, too. I am sight limited, this would help me wonderfully! I am not Sony lover but just visited the review because I like reading about cameras.

You can argue than one is still better by one stop or something but hey, the winners are not obvious. Check yourself! Getting close here. I’ve heard the RX M2 is not really so much better in low light as the first model.

Anyone out there that has both? What do you guys think? Also maybe I should wait for the successor to the RX M I would love to have the EVF, but the current one is almost as expensive as the camera itself I have both, the difference is not substantial.

The Mk 3 is surely coming soon and surely worth waiting for. From my POV.

 

Capture NX 2 – Full Version (Boxed) | Nikon

 

As usual you can frame and review your images on either on the rear LCD or the electronic viewfinder. The latter is a new 0. The ‘equivalent’ part of this statement stems from its ‘field-sequential’ design – instead of having triplets of dots showing red, green and blue at all positions, it displays one color, then the next, at each position.

The downside of this approach can be that if you move your eye quickly, or blink, you become aware of delays between the three colors being drawn – with colorful, rainbow-like edges appearing. Thankfully this display runs at 60hz, so this effect isn’t too noticeable.

The differences between the last-generation FZ and FZ are mostly cosmetic. The grips are slightly different, and the flash doesn’t pop-up as far on the FZ hello, redeye. The microphone has been moved closer to the hot shoe on the FZ, and the power switch as been integrated with the mode dial.

This allowed Panasonic to add a new customizable Fn3 button next to the burst mode button. Other improvements compared to the FZ include an HDR feature plus more special effects , in-camera panorama stitching, and high speed movie recording.

As you can see, the DMC-FZ has some nice improvements over its predecessor, with the new lens and improved battery life being the biggest differences. Despite being one of the most expensive super zooms on the market, the FZ’s bundle is rather pedestrian. Here’s what you’ll find when you open the box:. Therefore, you’ll want to buy a memory card right away. A high speed Class 6 or faster card is highly recommended for best camera performance.

They include:. That’s an enormous list for a fixed lens camera! One thing’s for sure: Panasonic definitely has all its bases covered. Panasonic includes PhotoFunStudio 8. This Windows-only software handles basic tasks fairly well, though the whole “wizard” system gets tiring quickly. On the main screen you’ll see the usual thumbnail view, and you can view photos by folders, date, or by things as specific as scene mode.

The software can learn to recognize faces much like the camera itself , which offers you another way to browse through your pictures. Available editing features give you the ability to crop, rotate, or change the aspect ratio of your photos, as well as adjusting color, brightness, saturation, and more. You can apply special effects to photos, overlay text, or remove redeye. PhotoFunStudio can also be used to create panoramic images that you’ve taken on the camera.

SilkyPix isn’t going to win any awards for its user interface or poorly translated menus, but it’s still a very capable editing tool. If you’d like to use Photoshop instead, just make sure that you’re using the latest version of the Camera Raw plug-in. PhotoFunStudio allows you to work with the movies produced by the FZ You can edit your video and then burn the results to a Blu-ray or DVD disc.

You can also save the edited movie in MPEG-2 format. The FZ’s documentation is split up into two parts, which I’m never a fan of. Inside the box is a thin “basic manual” to get you up and running. The manuals aren’t exactly user-friendly, either, though they should answer any question you’ll have about the camera. Instructions for using the bundled software is installed onto your Mac or PC. A version of this review was first published at www.

I inherited this camera, looks to either have been used once or never, inside a padded camera case with battery charger and USB Trying to find out how much it is worth for resale, anyone have an idea about pricing? Take a look at the manual for the settings menus p [Quality]. This is a camera with a lot of features, so unless you are going to just leave it in the automatic mode, it’s worth the trouble to read through the manual as there are some pretty incredible features packed into this incredible camera.

I used this camera to shoot a wedding for a friend. I found it to be very reliable and used a setting f2. Couldn’t use it outdoors because of poor weather. Maybe it was me as I am not used to TTL flash. Apart from that it’s a great camera in all respects. Not sure whether I should upgrade to the new FZ or not. Today, this awesome camera is a bargain, as low as USD, online.

I am considering this camera to take on international trips for F1 races. Love the camera, hate the weight, also the space it takes up in my carry on. Does anyone have any experience with this camera for sports photography? I love the shots I have gotten with the Canon rig, but the weight and size are an issue.

I use this for sports it works really well, you get a large dof and fast burst. Doesn’t come close to a good SLR, you’d be much better off to stick with the Canon. The FZ is useless if you’re any kind of serious sports photographer, I had one for about six months and got rid of it Hello DPR. I am new here. I have noticed in the specs section, the sensor resolution and Type are mentioned, but mostly, the size is not mentioned.

I have to hunt for it, often on other sites. Should it not be included in the specs. To the general viewer, the size is probably more important than the type, which I presume is more useful to those technically savvy.

I am a very serious amateur photographer. From my perspective the FZ is an incredible camera for what it is. When I want the best pictures I use a DSLR, but there are many occasions when I don’t want to carry a heavy camera with a lens attached. The FZ takes very good pictures and has an incredible range of options.

The number of options is a positive for me. However, remember you can always reset the camera to the factory defaults if something gets set wrong and you don’t know what it is. Also using the intelligent auto IA setting on the mode dial should help those less familiar with photography. Finally, those who don’t know much about photography should use JPEGs instead of RAW, it’s easier and can still produce amazing results.

For those who feel this camera isn’t good enough the FZ is out. Albeit the small sensor, constant F2. And today you can get it FZ at a bargain price online. Love it because it is light, has a decent Leica badged lens and zooms out to mm for those wildlife shots. Takes decent videos too. The bad features are many: cumbersome and slow menu driven settings, often slow focusing, needing to refocus on some other object with more contrast, poor online manual with some features mentioned e.

Noise levels are objectionable above ISO at full resolution when seen on a screen. It’s OK for snapshots and for those who do not want to carry large DSLRs with multiple lenses, especially while on travel.

After two weeks and watching the FZ utube videos by Graham Houghton I have come to the following conclusion. I really like this camera find the image quality great The images that after two weeks have surprised me in their clarity. I sold a SX50 to buy this and on my part feel very good about my decision. There was nothing wroung per say with the images from the SX50 but it felt like a plastic toy that wasn’t going to last.

I would buy this camera again. As mentioned in the comments watch the videos on utube. They are well done and answer questions that makes your images totally sharp.

Anybody encounter a strange phenomenon where camera goes to portrait when put in aperture or shutter priority, and then won’t get to more than 3 M and no RAW? Also tells you to put the flash on. I need it for an upcoming trip and am thrown for a loop by this. This was just one of many problems I had when I owned one for six months, judging by some of the comments here it’s strictly for amateurs who cannot be too serious about their photography.

This is a confusing collection of remarks! Most users seem to either love it or despise it, really polar opposites. It’s almost as if the discussion is about two different cameras. This is actually for my year-old to take on an upcoming trip overseas. Not much time to teach her the nuances of photography, but hopefully this will capture sufficient IQ in Auto to make her efforts worthwhile. Can I suggest that anyone who has operating difficulty with this camera visits Graham Houghton on Youtube where he posts a comprehensive array of video tutorials specifically dedicated to all aspects of the Lumix FZ View these and your enjoyment of the camera will be greatly enhanced.

Appreciate your review. I wish more attention was given to this class of camera. As a photojournalist, this is a very handy all-in-1 body that I carry everywhere. Especially when changing lenses in inconvenient or not an option. I hope someone can help. I got the dmc fz several weeks ago and I find the setting and menus terribly confusing. Primarily I want to just shoot in raw always. Is there a way to globally choose raw? FYI – I have been a professional photographer for over 25 years shooting with canon, nikon, olympus but I am totally in the dark with this new camera.

For the other manufacturers, I have been able to buy Field Guides which provided step-by-step instructions. So now I am very frustrated. Well, I’ve been using this camera for more than 2 years now and I’ve to say it still blows my mind.

And its a necessity that the user must be familiar with the setting and on how to use the camera properly to get the most out of it. The F2.

I’ve a YouTube channel, and I’ve many videos regarding this camera. If anyone is doubtful about this camera and its abilities, please check this link out I have used this camera for a number of years and it is still awesome. Good lens, great colours, and the in-built creative filters can give you lots of fun playing around with the photos you have already taken. If you are into taking pictures in auto all the time you may be disappointed as it sometimes ups the ISO in lowlight.

Its sensor is only 12mp and it gives decent shots, but if you do heavy cropping you will be disappointed. Not fantastic for low light hand held. Battery light is not so great. But still awesome pictures and awesome colours for those who can handle it. Hi, We were told this camera can shoot up to minutes via another web site, are you aware of that or is it false advertising. What we were looking for is a camera, that can be shoot video for minutes, and this was advertised.

We shoot weddings etc. Hi there, Could anyone who owns this camera tell me what the maximum recording times at fps and fps? My FZ goes up to 8mins which is important for me, many new cameras only seem to be able to record at these high frame rates for 30s.

Thanks for your help! Awesome camera! Have read some comments saying that has not the quality of DSLR Just don’t spill lens cleaning liquid over it’s lenses coz you might end up having issues. In my opinion, the bridge segment has been a damn one until the introduction of CMOS sensors. And there were good reasons for that. Aside optics, a bridge is more or less the same camera as a compact superzoom. Very often, they share the same sensor, the same processor and the same controls.

This cameras define itself only by their optics. My final word on this camera I’ve persisted with it for almost six months and the only reason I’m still using it is because my Nikon has broken down, new D body coming up! Meantime, the Lumix is a great paperweight. You can but not with the HDMI cable. Then Press the Trash can button for a few seconds and you will see live view on your TV. I have the cable and I have used it.

I want a compact point and shoot camera with a larger sensor but more zoom range. You cannot have it all ways so I suspect what you want is not possible. The consensus is that Sony have got the most into the least space that has been achieved up to now. Again, not really. If you set the iso on both cameras, what the “base iso” is doesn’t matter. It’s just for both sony and fuji. My observation was that you can’t compare them on the same ISO value when the other values F, speed turn out to imply that sony needs to get more time, hence possibly needing a further ISO increment.

In real world, this would translate as shooting at lower iso with Fuji, being the desired speed and aperture the same. It would be nice if dpReview made people notice in an OBVIOUS way on their comparison pages, that there is some iso overestimation going on for all cameras, and varying from model to model.

Doesn’t make much sense, at least explained that way. I can reply that it needs more light because the sensor is bigger Hence, it captures more light because it is physically necessary for achieving the same exposure. And guess what? At the long end of the zoom f1. Hence the Sony needs more time to gather the light and chooses a slower shutter speed. Hi Frank. The price of cameras are based on what they think you are prepared to pay and not cost of production.

That is why manufacturers price cameras at a high price when introduced to tempt the early adopters and then a Dutch auction takes place over months where prices are reduced to tempt others.

Wise men say, only fools rush in. But I can’t help being a born hoarder. That’s the motto for early buyers. I always wait at least 6 months to buy a camera of my fancy, so I have time to see the elevation and the landing of the novelty.

It’s a quarantine I give to see the aps that will ensure a better performance. Usually the models bought after that period already have the aps. Remember the infamous Fujifilm X10? And the hellish lapse of time before the company acknowledged the disks flop? They all were first wave buyers.

I never sell my cameras. I’m a camera hoarder, and they will lay me to my final rest with all my toys. Batteries included. Yes MK2 have more features than the original RX But wonder why it is so expensive for a camera made in China? Timmbits: I sometimes have that feeling too when people iDiots pay a fortune for a chinese product with a US marketed shiny apple on it. After looking for a compact digital with large sensor.

So would this make it the best one to buy for Picture quality , which is what i really want. Not sure if it has zoom , but then none of the large sensors seem to have zoom. Would cropping deliver the same results as a Sony HX50v. Maybe the confusing naming of sensor sizes has One day we may have an understandable naming ie diagonal measurement in mm 7. This would make the Sony X a 4. The HX50V would be a 1.

If you’re looking for the best image quality you can produce from a shirt pocket camera that has a great deal of flexibility, then buy the RX I’ve been carrying this camera around the world with me for over two years now. It’s never disappointed me for compact-type camera usage.

That’s saying a lot. I couldn’t agree more. Diamond award from me. As dpreview admits, this is the clear class leader. I’m somewhat confused about their “silver award” Hi Thom. I have a Nikon etc that I am about to manoeuvre to my first and last trip to Africa. I cant really afford to buy a compact camera on top of all the other bits and pieces I’ve forked out for but I think it will be an essential extra for impromptu people shots and twilight walks.

I am 70 and arthritic A Sony RX seems the way to go but low light shooting and wide angle may be important on these occasions. Just how much better is the mark II for low light shots.? Would really appreciate your opinion. With a slightly higher max aperture at the tele and this would by my ideal camara.

Peter Kroll, Singapore. The review, last page, says ” That depends. If you can live with a little more noise, don’t care much for a tilting LCD and don’t plan to use Wi-Fi sharing, then you’re better off with an RX”. I think I’ll go for the RX as I only usually shoot in daylight and the shop will through in a free ever-ready case. And they still found it appropriate to give it a Silver Award?

Pretty incredible really. The only other camera that I can remember that so obviously led its class in pretty much every area and still received “only” a Silver Award was the D Not really a complaint as I don’t own either camera just an observation.

I really like the fact that the hotshoe allows me to attach the small Sony bounce flash to the camera when taking photographs of friends in unlighted spaces. I am pleased I traded up from the RX Of all my cameras this is the one I use the most because I always have it with me.

The pop-up flash in the RX can be tilted up with a finger to become a bounce flash, and I’ve been very pleased with the ability of my RX to shoot portraits without adding external flash gear. I assume the RXII flash will also tilt. Agree completely that a camera that’s small and light enough to have with you at all times can be more valuable than a “better” camera that you don’t bring because of bulk and weight.

My original RX had a dusty sensor within a few days, maybe not at Nikon D level, but it was still annoying to shoot a blue sky at higher aperture and see blue blobs. I’ve just received it back from having returned it for cleaning, tested it on the sky, and there is still dust – well, a different, small spot in a different location. To replace the RC as my “every day carry” camera, I bought a second-hand OM-D E-M5 which is an altogether more interesting, fun, and competent camera although significantly larger, of course.

As soon as the RX is fixed, I’ll be listing it on eBay. Maybe I’m fussy, but I find sensor dust on a non-interchangeable lens camera to be a total deal-breaker. I guess it must be the chinese manufacturing making parts that rub against each other not as smooth as better quality japanese products? Timmbits Way to jump to conclusions! Reading on another site, people have had no problems with their RXM2 made in China.

I have this camera. It’s pretty terrific. My favorite feature is the articulating screen. Coupling this with its small size and non-threatening appearance makes it the perfect street camera. I typically hold it at chest or waist level and shoot it looking down at the screen. This makes me essentially invisible and able to get great shots. It’s easy to get shots 90 degrees left or right of me by turning the camera, and even behind me by holding it to my side and turning it to face back.

My other cam is a Nikon D with a nice array of lenses. Great, but definitely not able to get the same level of candid street shots because it gets noticed. If I had to keep only one? Don’t ask! It’s like asking me to choose which of my kids is my favorite. A viewfinder is vital for Of course, RX’s sensor is much larger than Stylus1’s.

Nonetheless, a long-sighted person will rather sacrifice some IQ and some high-ISO performance than the possibility to SEE all camera info when shooting. As to external add-on VFs, they are not a viable option for a traveller’s camera! You, camera-makers! Can’t you see that MOST travellers are aged over 45?? Small size and larger point and shoot sensor made the RX different. I hope that doesn’t change. Had a look at the Stylus 1. Great to handle and excellent viewfinder but the IQ is a little worse than the ZX-2 due to the longer zoom having quite a bit of distortion looking at the reviews now on the web.

It is also a little large. Make me think why not just have an EM-5 and a couple of lenses but I DO see the point of this camera. A near equivalent is the Sony RX10 but as the sensor is much larger so too is the lens and therefore the whole rig. I hope sony update the firmware ans solve some of the issue, and can get higher point. But I don’t know if sony willing to do it or not. For next year, I suggest sony to start the lens from 24mm. These may be the specs but you guys should list real world numbers.

I really don’t think this flash would do much past 10 feet. Is there a time lapse function on this camera? Will mount this camera on a hexacopter an shoot areal photography. Cant use WIFI if there is wifi on it. Am I the only one who finds a rear screen almost useless in bright outdoor light? If this camera or the Pana GM1 had a good EVF and either a smaller screen or a little larger size to accommodate it would not everyone who walks and shoots outside want one?

I know I would. Who will be the first manufacturer to sell to every hiker on the planet? I leave mine at Auto, so it adjusts to ambient light levels. There is an option in the menu settings for “Sunny Weather”, as well as “Manual”. Along with the tilt screen, that should cover most people’s needs nicely. Too expensive if you don’t need it, but good value if the absence of one bothers you.

I like that it is an add on, so that the majority who don’t need it can still enjoy the smaller size with large screen. Nope, I know what you mean. That said, even in the brightest light I can usually see enough to compose the shot. Works for me, YMMV. Given the price of this camera and its optional electronic viewfinder it is a crime that Sony doesn’t provide a printed real vs. Quick Start manual for the camera. There is also no CD with the manual or other software disc included with the camera.

And, the Web-based version of the manual is a pain to read – it’s all topline topics only and requires clicking to expand any given topic. For such a complex camera that is so feature rich, a printed manual is a must! I agree and found this ebook to be a great manual. I have it on my iPad and iPhone, so it’s available when I’m in the field. Friedman, Version 2. He has one for the Mk2, too. Same here. Great explanation of all the wonderful features of this magic camera.

It really pays to take the time and learn about it in great detail. The more I use this camera, the more I like it. So, no gold eh? Oh well, still an awesome camera – one would hope the price might come down with only silver haha. Anyway – I am not a pro, but I love taking pics For a lot of photographers, I don’t think these Sony compacts can replace their set-ups, but for me, they do.

And they do it well too. Well everyone is entitled to their own opinion. Does anyone know if Sony has managed to improve the locking mechanism of the battery door? When is your battery door opening? When you reach for the camera in a tight pocket? Or when you put it into a tight pocket?

Mainly when getting it out. The door ist locked by a single slider only. The mechanism I know from the Canon S 90 ist more secure. There are now seven RX models currently on the market that you can buy.

Should you save a few bucks and go with less than the latest-and-greatest? Find out which one is the right fit. DPR reader Philip Ewing found he had little time outside of long hours at the office to spend on photography, so he turned his commute into a time to exercise some creativity.

Each day he brings his camera along with him on Washington D. Read more. Hasselblad has announced the Stellar II, an enthusiast compact ‘not intended to be judged against other cameras’.

According to Hasselbad. Available grip finishes include olive, walnut, padouk, and carbon fiber. Click through to feast your eyes just don’t judge. Before Christmas, we asked you to vote for your favorite cameras and lenses in five categories. We announced the category winners earlier this year and created a final poll to find what – in your opinion – was the single standout product of Click through for a reminder of the category winners and to find out which of the winning products was your choice for product of the year!

And don’t sweat drops of up to five feet. Whether it’s in your hand, mounted to a surfboard, clipped on a backpack or attached to a scuba tank, every twist, splash, dive and crash can be recorded in both still and Full HD p movies. Plus, Nikon’s new Action Control brings fast and easy operation to gloved hands. The AW lets you capture every thrilling moment from inside the action—not the sidelines.

Shoot in extreme low light Imagine sharp images produced feet underwater, photos and movies captured while you explore a dark cave, or snapshots nabbed during that last run just as the sun was setting. What does it take to get these and more? Shoot three shots in about one second using one-touch control for Full HD p movies and ensure not a single moment of your action-packed lifestyle is missed.

Star in your own viral movies Full HD p movies with stereo sound Don’t just share some photos with friends, put them inside the action with you. Attach the AW to your gear, and with a single touch of the control you’re creating an in-the-action Full HD p movie with stereo sound. You’ll capture all of life’s adventures from a whole new perspective—your own. The AW’s rugged waterproof build can take the pounding action while you record photos and movies of this incredible adventure. A built-in map lets you view your path, and the Electronic compass is an extra safety measure that can even help you ascertain which branch to take if there’s a fork in the stream.

Your geo-tagged photo travelogue will give you bragging rights as you share the adventure with your friends. Creative control even in gloves A handy Action Control feature More creativity at your fingertips—even if your fingertips are enclosed in ski gloves! The AW’s handy Action Control feature makes it easy to adjust specific camera settings. Wrapped up in the action with no time to change settings? The AW automatically adjusts camera settings. And if you’re looking to add creativity, select in-camera effects such as black and white, or selective color.

 
 

– File Description

 
 

Therefore, I feel it is important, as digital photographers, not to get caught up in trying to apply every tool and effect to a digital image just because our software has those tools. These adjustments often revolve around the fundamental operation of converting the raw sensor data to an RGB image.

Think of the RAW Adjustments as the foundation upon which all your other adjustments will be built upon. A classic example is dodging and burning, where you are adjusting the contrast of certain parts of your image beyond what was obtained in the original exposure. Other applications either do not permit local application of effects or require complex masking schemes to apply them.

From there, the master image can be further refined for printing or other output. However, most photographs are judged by their final output, which usually involves a print. Final output could involve resizing the image for use on a website, or sending it in an email to friends and family. First, it gives you a good outline of the kinds of adjustments you can be thinking about when you first approach an image to work on.

Second, it puts the adjustments into the proper order that will maximize your image quality and minimize your frustration. Keep in mind that Capture NX2 editing workflow is linear, starting with the Develop Section and continuing with the order of the steps in the Adjust Section. Does that mean you need to stick to this script rigidly? Of course not. The rest of the book contains lots of details about numerous Capture NX2 editing tools, but in reality, the overall image editing process is quite straightforward.

The following pages will take you through the basic image editing procedure to help you understand the simplicity of image processing in Capture NX2.

After a few seconds, the image should appear. I chose this image because it illustrates some of the advantages of shooting in RAW.

First of all, my default settings applied far too much contrast to this image, especially because the subjects are back-lit. Too much contrast! The first item in the list is White Balance. Because the in-camera setting I used was too warm yellow , we can override it here. This gives a look with strong contrast– bad for people pictures! This will collapse the Develop Section. The image turns gray.

This will boost the midtone brightness of the image. Drag the black threshold level slider until you see dark areas appear. A Color Control Point is added to the image. The actual settings you choose will depend on your camera model. You can now add embedded XMP data, like star ratings, to your images. Even better is the fact that the star ratings and color labels you add in the NX 2 browser can be read by other applications that use the star-rating system, like Adobe Bridge and Photo Mechanic.

Sub- folders will appear in the browser; double-click on a folder icon in the browser to open it. A shortcut to that folder will be created in the Favorites list. This will collapse the Folder list and expand the metadata tab on the left side of the screen. This allows other applications to read the embedded data. For example, you could use one color to indicate files that have been processed, and another color to indicate files that have not been processed.

For example, you can create a preset to apply your contact information to your images. In the Thumbnail List view, images are shown as small thumbnails in a list that includes file data, star ratings, labels, date shot, and more. The Thumbnail List view is useful when you want to quickly sort your images on any one of the file data columns in the list. Use the Thumbnail Grid view when you want to view the largest possible thumbnails.

Use the zoom slider or the zoom tool to increase thumbnail size. Leave the right-hand triangle on the fifth star. For example, in a folder of mixed file types, you might only want to display JPEGs.

By default, images in the File Browser are sorted by Name. Clicking the header one time will sort in ascending order, clicking a second time will allow you to sort the images in descending order. The triangle icon is pointed up. The triangle icon is pointed down. Use batch operations for saving multiple files, applying saved settings files to multiple images, and for copying and pasting settings between files.

Source– this is the location folder of the files you wish to process. Settings– check this box if you wish to apply a saved settings file to the files selected for batch saving. You can choose settings presets from the drop- down list at right. Conflict management: Use this drop- down menu to choose whether to override existing settings in the source files, or to simply append new settings.

File renaming: Check this box if you wish to save a copy of the file with a different name. Use this dialog to enter a naming convention. File Format: Choose the type of file format to save the batched files as. For NEFs, you can specify compression options. Destination: Choose the folder to where the batched files will be saved.

Leave blank if you want to save the batched files into the source folder. Capture NX2 will periodically check the contents of the Watched Folder, and when new files are detected, a batch process will be automatically performed on those files.

Underneath the Watched folder options are controls that set the behavior of the application– you can choose to run batches immediately, or have NX 2 check the Watched Folder at a standard interval. Idea: You could create a folder on your computer where you drop images that you want to batch save as JPEGs. The processing dialog will open. You can always process the RAW files separately if you want later on. Note: you can also right- click on the image thumbnail and use the contextual menus to choose the copy and paste commands.

Notes on Batching: You can also access the batch commands by using the Batch Icon at the lower- left corner of the File Browser window, or by using the Batch Icon at the upper-right corner of the Edit List when you are viewing an opened image in the Edit View.

Why does batching in NX seem so much slower compared to other applications? Specifically, the goal of making RAW adjustments is to make the baseline changes to global color, contrast, and brightness upon which all other adjustments will be built. The Develop Section cannot leverage image cache files to speed up processing. Therefore, it is important to consider which adjustments can only be made in the Develop Step and consider making other adjustments in the Adjust Section of the Edit List.

However, because the Develop tools do involve the actual processing of RAW data, the results are usually higher quality than if you were to perform the same adjustment in the Adjust Section of the Edit List.

Why not Noise Reduction? White balance, by comparison, is a fundamental parameter of how the RAW data are processed. Before you jump in to the Develop Section, ask yourself what it is you are trying to convey in your image. It is also where you can access the White Balance Controls. Quick Fix: This area is new to Capture NX2 and is expanded by default, as shown in the image at right. Some of these tools are automatically applied. Controls There are four primary areas within the Camera Settings section: 1 White Balance Controls: Use these controls to override the as-shot white balance setting from your camera.

Evaluating WB is probably one of the first things you should do when examining your image before processing it. You can set this parameter to further fine-tune your WB setting using the lower pull-down menu. Move the slider to the left to make the image more blue cooler ; slide it to the right to make the image more orange warmer.

You can use white balance creatively to change the mood of an image. Take one image with the gray card in the scene, then shoot normally without the card. The Gray Point settings will appear. Move the mouse over your image– you should see an eyedropper icon appear. A note about gray cards: Lots of pocket gray cards are available, but a really handy one is the Whibal card, because it is very small and the gray color goes all the way through the card.

That way, if it were to become scratched, the card would not lose effectiveness. Left: Original image. Because you can control all the parameters in the Non-Picture Control dialog with Picture Controls, I recommend switching to the Picture Control dialog using the drop-down menu. A D40 image and D image processed with the same Picture Control settings will have the same look, just as two images from different film cameras shot with the same kind of film would.

Are you shooting a portrait, where you want to capture subtle tones, or a landscape, where you want saturated colors and strong contrast? Before you continue processing your NEF, you need to decide which preset for Picture Control gives you the best starting point for reproducing the feeling you had when you captured your image in the camera.

For images taken in bright sun in high-contrast conditions, Vivid may seem over the top. The Standard Picture Control preset has a moderate level of contrast, saturation, and sharpness. Images processed using Picture Control will appear brighter than those processed using Non-Picture Control. The processing algorithm in the Picture Control software appears to boost midtones and increase saturation as compared to images processed without Picture Control.

The one parameter I recommend changing is to set Sharpening to zero 0. Setting sharpening to zero allows you to apply sharpening at the end of the Edit List workflow without sharpening the image a second time.

Other than turning off sharpening, the rest of the Picture Controls are entirely optional for most images. The Quick Adjust Slider changes multiple parameters simultaneously. The Sharpening adjustment in Picture Control can be set from anywhere from zero no sharpening to nine high sharpening.

You can control the sharpening settings by moving the sharpening slider right or left. The actual amount of sharpening applied will depend on the image, and is unpredictable. Any sharpening setting above 5 can result in artifacts halos in your image; so use it with care. If you are using the Capture Sharpening presets included with this eBook, be sure to set the Picture Control sharpening to a value of zero.

It is often too easy to over-sharpen. Doing so will disable the Contrast Slider. This flexibility can be useful if you are trying to extract the most dynamic range from your image. Changing this control affects primarily the midtones of your image.

Alternatively, setting the brightness control to -1 will darken the midtones in your image. A value of zero is the default setting for Saturation Control. The Preset you choose determines the starting point, the slider control allows you to fine-tune the saturation around that starting point. Because Picture Control Saturation 0 neutral saturation is based on in- camera settings, saturation cannot be adjusted as finely as you can with other NX tools, like the LCH editor. Setting the saturation value to -3 does not result in a grayscale image; the sliders are meant to be a fine-tuning and not a large-scale adjustment.

Moving the Hue slider to the left negative values shifts the hue towards magenta tones. If you move the slider to the right positive values , the hue shifts towards greenish tones. An interesting observation is that while reds and greens shift significantly with hue adjustments, the Hue 0 neutral blue tones are changed far less. Color filters alter the contrast in black and white images– they lighten parts of the image that are the same color of the filter while darkening their complementary color.

Orange Filter Applied 2 Your image will be modified. In this example, the orange and red filters darken the blue sky while keeping the foreground light.

A primary example of a toned image is a Sepiatone effect. Not only will you be able to quickly access your saved settings, but you can upload them to cameras that support Picture Control.

Type a name in the naming field and then click OK to continue. Follow the procedures for creating a settings file described in the Workflow section of this book. This is not something that I recommend; but the utility is there if you want to use it.

Use the Sample Image on the left hand side of the window as your guide. Choose your new preset from the drop- down list, and it will be applied to your NEF. At the time of this writing, only the Nikon D3 and D cameras support this feature. Transferring your custom Picture Control settings to your camera can be a real time saver.

For example, if you have developed a modified Picture Control setting in Capture NX2, you can then load it into your camera and save time with the post-processing of future images. Likewise, if you have modified Picture Control settings and saved them in your camera, you can load them into Capture NX2 for easy selection on your computer.

Repeat these steps to export additional presets. Eject the memory card from your card reader and insert it into your camera. You will see a list of the presets loaded onto the card. Choose a preset and click OK.

The preset will load, showing the custom settings. Click OK when you are done. The reverse of this procedure can be used to save presets from your camera to a memory card. Why is this important? You can get much better results and faster performance by applying Noise Reduction later on in the editing workflow. If your camera offers Active D-Lighting Control and it was enabled at the time of shooting, the Active D-Lighting settings will override the contrast and brightness settings in Picture Control.

For me, the most useful tools are the Exposure Compensation slier and the Highlight and Shadow protection tools. The saturation slider allows for a much more subtle adjustment of color intensity than what you can do in Picture Control. In order to properly use the Quick Fix section, you should have at least a basic understanding of how to use the image histogram.

Overexposed Underexposed Good Exposure Three examples of image histograms. Left: Right-shifted histogram indicates blown highlights and over-exposure. Center: Left-shifted histogram indicates potential underexposure and clipped shadows. Despite the fact that exposure adjustments are a very powerful tool and unique to RAW files , you still must be careful. Severely over or underexposed images may Correcting an overexposed image.

Clockwise from top left: Original image, lose quality if you have histogram showing severe right-shift; Exposure Compensation slider moved to the to adjust the exposure left– a value of Note that there are still some lost highlights in the lower left of the image– strongly.

However, the overall image is quite usable. In this image, the overall exposure is good, but the face still needs lightening with local adjustments. Or Left-shift too dark worse, you might have an image where highlights are pushing the right-hand edge of the histogram, Clipped highlights but the image is a little bit underexposed. In this example left , not only are there blown highlights, but the overall image is slightly underexposed. The image histogram right confirms this.

The image will turn black, and blown highlights will be in color the color represents the channel that is clipping– Red, Green or Blue. First, exposure was increased by 0. Then, Highlight Protection was dialed in until the clipped highlights disappeared right. The corrected image below is ready for further processing. Strong amounts of highlight protection can sometimes cause color saturation to decrease. This effect can be fixed with the Saturation slider in Quick Fix.

What this means is that you try to avoid blown highlights at all cost, even at the expense of some lost shadow detail. This is very useful when you are applying minus negative exposure compensation to an image to recover highlights and then want In this image, the overall exposure looks OK, but the shadows are just a little dark to get the shadow details for my taste.

Move the Shadow Peak showing dark tones Protection slider to the right to recover shadow details. I rarely go above Histogram looks OK overall. Adjust the Saturation slider to the right to compensate for the loss of saturation when using the Shadow Protection slider. Notice how the peaks in the middle of the histogram got taller. The best way to adjust brightness and contrast is by adjusting Levels and Curves.

You can make basic levels and curves adjustments in the Quick Fix palette. The positive side of this technique is that the adjustments are made on the RAW data. Principles of Levels Adjustment The Levels control can be used to adjust overall image contrast and brightness. The Levels controls are three triangles sliders beneath the image histogram in the Quick Fix window.

Normally, the black point slider is all the way to the left on the histogram. The tonal value the black point slider rests on gets converted to a tonal value of zero pure black. As tonal values fall to the left of the black point slider they are converted to pure black. White Point Slider: The white point slider is on the right hand side of the histogram. Tonal values that fall to the right of the white point slider are rendered as pure white tonal value of As you move the white point slider to the left, you convert tonal values to white.

You can do this easily with the levels tool by bringing the black point and white point sliders closer together. The middle slider affects the midtones of the image. Slide it to the right to darken midtones, slide it to the left to brighten midtones. Notice how the Curves Control bends when you slide the midpoint slider. Brighter midtones Darker midtones Curves If you want to use the Curves tool, simply click a point on the Curve Control line and drag the point up or down.

Dragging a point on the curve upward lightens its corresponding tonal values, dragging the curve downward darkens the corresponding tone values. If you add multiple points to the curve, the steepness of the line dictates contrast between any two points. Steep lines mean high contrast, flat lines mean low contrast. Use the curves tool with care. Click points on the curve and then drag them to move. The steeper you make the line, the stronger the contrast will be in that part of the tonal range.

Another reason to use the Saturation slider in Quick Fix is because it gives more control than the Picture Controls. By default, the Saturation slider is set at zero unchanged.

When you couple the Quick Fix tools with the Camera Settings, more often than not you can make all the global adjustments you need to your image. Although it contains some useful tools, they rarely come into the equation when processing NEFs. Of those two tools, the Auto Color Aberration tool is enabled by default and I leave it on at all times. The other tools in this set are for special circumstances and I rarely need to use them.

Note: This operation is processor-intensive and will take some time to complete. Refer to your camera manual for instruction on how to create the reference image. Make sure the folder you choose has a NDF file in it. If not, navigate to the folder containing a dust- off reference image and click Open. Note: This feature is processor intensive. Personally, I just try to keep my sensor clean and use the Auto Retouch Brush in the Edit List to eliminate dust spots.

Color aberration, also referred to as chromatic aberration, manifests itself as purple or red fringing around high- contrast areas in your images. This is especially common in the corners of images produced using wide-angle lenses. One of the nicest features of Capture NX2 is that it automatically removes color-fringing from your NEFs, regardless of the make and model of your lens.

The Auto Color Aberration tool is enabled by default; I never turn it off. Other RAW converters offer CA removal, but it is usually a manual process involving two different sliders.

I find the NX method to be much simpler. Left: Image processed without Auto CA removal. Right: Image processed with Auto CA removal enabled. I find this tool to be hit or miss. But here it is, in case you want to try it out. Light fall-off occurs when the image circle from your lens is not uniformly bright across the frame. Usually this happens when using Corner shading fast lenses wide-open.

The Vignette Control slider can reduce the effect of light fall-off; some cameras, like the Nikon D3, have an in-camera vignette control option, which enables this control automatically in Capture Before vignette NX2. Moving the slider to the right positive values brightens the corners of the image. Moving the slider to the left darkens the corners of the image. While de- fishing is no substitute for a rectilinear wide-angle lens, it can work in a pinch.

Because global adjustments are the foundation for the local adjustments applied later in the editing workflow, it is critical that they be done early on in post processing. Fundamentally, the Develop Section is not a place where you need to spend a lot of time; but it is a section that you should be thinking about first before you move on to making other adjustments in Capture NX2. Often times, the Picture Control presets get you where you want to be without further adjustments.

The best part about the Develop Section in Capture NX2 is that it effectively takes over the majority of global adjustments to light and color that would otherwise have been made in separate Edit Steps in Capture NX 1.

Because the Develop Section is fairly easy to access, it offers a quick solution for getting your images prepared for further processing assuming they even need it. In the Adjust Section, you can apply many different kinds of effects to your image.

Moreover, applying an Edit Step locally does not require complex masking routines, which makes using them easy. Edit Steps are not adjustment tools in the traditional sense.

Learn more about the Nikon 1 V3 Archived. Learn more about the D4S Archived. Learn more about the Nikon 1 J2 Archived. Learn more about the D4 Archived. Learn more about the D90 Archived. Learn more about the D3 Archived. Learn more about the D3X Archived. Learn more about the DS Archived. Learn more about the D3S Archived.

Learn more about the Nik Color Efex Pro 3. You must reproduce on each copy the Nikon copyright notice and any other proprietary legends that were on the original.

Except as otherwise stated in this Agreement, you may not make or distribute copies of the Manual to others or electronically transfer the Manual from one computer to another over a network. This Agreement is governed by and shall be construed in accordance with the laws of Japan without regard to its conflicts of laws principles.

In the event a dispute arises under or in connection with this Agreement, you hereby consent to personal jurisdiction of Japan and waive any objection that such forum is inconvenient. You further consent to service of process in any action arising from this Agreement by regular mail or other commercially reasonable means of receipted delivery. If any provision of the Agreement shall be determined invalid for any reason, the remaining provisions shall not be invalidated and shall remain in full force and effect.

This Agreement sets forth the entire agreement and understanding between you and Nikon, and supersedes and replaces any other agreements relating to the subject matter of this Agreement. If you select a shortcut already in use by another workspace, the shortcut for that other workspace will automatically be set to None. Page Desktop Please note: Only default workspaces can be applied in this manner. Custom workspaces always are applied to all available screens.

Please note: Some workspaces cannot be used in conjunction with another. The following table shows the available combinations. Page Image Window Image Window Image windows are the frames that contain your images and provide you with important data which can help you enhance the image. Image windows are displayed as long as Capture NX 2 is not in the full screen or presentation modes. Page Soft Proof Soft Proof The soft proof feature enables you to preview the effect of an output profile on your image, approximating the results you can expect from your printer.

The soft proof function provides you with controls to preview the use of different profiles. Page 66 Soft proof offers the following options: Target Profile Select the color profile from the list to view the result of the color management system and to preview how the different color management settings will affect your image. Intent Choose from four different rendering intents.

The different rendering intents control how colors in your image are mapped to the colors that your printer can produce as indicated by the printer profile. Page Finding Palettes Finding Palettes Undocking many palettes can sometimes make it difficult to locate that palette.

All palettes and windows can be located using the Window menu. The most frequently used palettes and windows are listed directly in the Window menu, while less frequently used undocked palettes and windows are listed in the Undocked Palettes section of the Window menu.

To open a folder of images in the browser, double-click the folder icon in the browser or use the Folders palette, the Open Folder in Browser command in the File menu, or Nikon Transfer. Using the Folders Palette Using Nikon Transfer You can also use Nikon Transfer to open a folder of images transferred to your computer. Page Navigating Within The Browser Navigating Within the Browser At the top-left of the Browser palette are three buttons that help you choose which folder to display within the browser.

Page Filter By Rating To display all images again, click on the checkmark next to the filter by label tool. Sort By The Sort section determines the primary sorting method for the current folder. After selecting the primary sorting method, choose to have the images sorted in either ascending or descending order using the Ascending and Descending options. This section provides information about the current folder as well as control over the size of the thumbnails displayed within the folder.

On the left side of the browser header is the number of images within the current folder and the number of selected images. To rename the current file, click once on the file name to highlight it and a second time to change the file name. Page Thumbnail List Thumbnail List The thumbnail list places important information about each image in a column and enables you to sort by each of the columns.

In thumbnail list view, the thumbnail size selector offers a choice of three thumbnail sizes. You cannot sort images by this column. The voice memo icon is displayed for images that have a voice memo attached Voice Memo Icon to them. Page Opening Images From The Browser Opening Images from the Browser Images in the browser can be opened in the editor either by double-clicking on the desired image, or selecting multiple images and use the Open Image command from the File menu.

Alternatively, you can press the enter key on your keyboard to open the selected images. If the Capture NX 2 is open on a single screen, opening an image will cause the browser to automatically minimize.

Alternatively, you can click on the batch menu located to the left of the labeling and rating toolbar and select Paste IPTC Info. Chapter 12 — Activity Toolbar Print Page Chapter 13 The Toolbar Chapter 13 The Toolbar Tool Options Bar The tool options bar can be found directly beneath the toolbar and provides access to controls specific to a tool. Select this tool when viewing an image that does not fit in the image window.

Click and drag to reposition the contents of the window. Double-click this tool to fit the current image to the editor so that the entire image fits into the space available. Page 94 To straighten your image using the straighten tool, follow these steps: With an image open within the editor, click the straighten tool in the toolbar.

Locate a line within the image that should be either vertical or horizontal and click on the start of the line. Page Crop Tool If you are satisfied with the straightening effect, continue editing your image using the other tools available within Capture NX 2 or perform a save. The straightening effect is now applied to your image. To cancel the straightening effect, click on the Delete button found at the bottom of the Straighten step within the Edit List palette or click on the Straighten step and press the delete key on your Page Crop Method Double-click within the crop or press the enter key to apply the crop.

This will cause the image information outside of the crop to be hidden and a new Crop step to be added to the Edit List palette. If the image is saved in the NEF format, you will be able to remove the Crop step to display the hidden information again. Page Black Control Point Black Control Point The black control point enables you to place a control point directly on your image, and to cause that targeted color to not only become black, but also to neutralize the dark tones of your image.

Black control points are normally set on what should be the darkest point of the image and are used to set one end of the dynamic range of the image. The values set for the selected black control point are displayed enabling you to enter a new value directly to adjust the effect of the control point. Page Neutral Control Point Neutral Control Point Neutral control points enable you to correct a color cast in your photograph by forcing the targeted color to become neutral.

In its default operation, the neutral control point will change the color values in the targeted color so that the red, green, and blue values for that color are equal.

Equalizing the red, green, and blue values for a specific color causes that color becomes neutral, or without a specific color or hue. Page To add a neutral control point to your image, follow these steps: Click on the neutral control point icon in the toolbar.

The cursor will change to a crosshair. Identify an object that should be neutral and click on that object to place a neutral control point. Page Neutral Control Point Method Neutral Control Point Method Use the neutral control point method pull-down menu to switch between controlling only the color balance of the Neutral Control Point or affecting the luminosity, or brightness, as well. RGB Method The RGB method of the neutral control point affects only the color balance within the image while maintaining the same brightness.

The values set for the selected neutral control point are displayed enabling you to enter a new value directly to adjust the effect of the control point. Click on the Reset button to reset the selected color control point to the default values. Page White Control Point Method To add a white control point to your image, follow these steps: Click on the white control point icon in the toolbar.

Identify the object you would like to be the lightest object in the image and click on that object to place a white control point. Page Advanced RGB Method The RGB method of the white control point enables you to set the individual red, green, and blue values of the lightest color in the image.

This option is helpful if your printer requires a non-neutral white. Within this mode, you are presented with individual red, green, and blue sliders on the white control point and red, green, and blue entries within the white control point sub-step of the Edit List palette.

Page Each color control point that is placed on an object in your image identifies the characteristics of the color as well as the level of detail of that object, enabling you to make adjustments to the color of that object.

With the use of the size slider, you are able to increase the reach or scale of the current color control point so that it affects similar colors of the objects which are farther away from the color control point. Page Color Control Point Mode Adjust the remaining sliders connected to the color control point to adjust the color and light of the selected object.

Additional color control points can be added to the image by repeating the steps listed above. To delete a color control point, click on the color control point in the image or in the Edit List palette and press the delete key on the keyboard. Page Show Selection Show Selection The Show Selection checkbox enables you to see where the current color control point is affecting the image. Areas inked in white are being affected by the color control point, while areas inked in black are not being affected by the color control point.

You can quickly access the Show Selection option by right- clicking Windows or control-clicking Macintosh on the color control point and selecting Show Selection. Page Red-Eye Control Point Advanced The Advanced method provides superior results when lightening shadows or working with images with a high level of noise or grain. The values set for the selected color control point are displayed enabling you to enter a new value directly to adjust the effect of the control point.

Page Auto Retouch Brush Auto Retouch Brush The auto retouch brush enables you to automatically repair unwanted details found within the image. Use this tool to remove dust spots, blemishes, or distracting objects, with a unique blending algorithm that matches the surrounding structure, color, and tonality. To use the auto retouch brush, follow these steps: Click on the auto retouch brush icon in the toolbar.

Page Size The auto retouch brush provides you with the following controls: Size Changing the Size option increases or decreases the size of the brush. You can use a selection control point to selectively apply any enhancement found in either the Adjust or Filter menus. To use a selection control point, follow these steps: Add an enhancement to the image from the Adjust or Filter menus.

Page Lasso And Marquee Tools Lasso and Marquee Tools The lasso and marquee tools enable you to create a selection on your images that will limit where an enhancement affects your image.

Page Edge Softness Click and draw a selection around the objects that you want to affect in the active image window. To subtract from the selection, select the — icon and draw within the selection. Page Selection Brush Tool Selection Brush Tool The selection brush enables you to selectively paint in or paint out the enhancements found in the current step.

You can use the selection brush to selectively apply any enhancement found within the Adjust or Filter menus, as well as the color, black, neutral, and white control points. Page Opacity Opacity Changing the Opacity option increases or decreases the opacity of the brush strokes that are applied.

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